Phoenix Finish Puts Powerful Restoration Tools in Criterion’s Corner
April 28, 2011 (Los Angeles/London) Image Systems (formerly Digital Vision), leading developers of high-resolution image processing, film scanning and motion analysis solutions for the entertainment, defense and automotive industries, has announced that The Criterion Collection has purchased a Phoenix Finish system, which will become central to its restoration activities of classic and iconic films.
The Criterion Collection, headquartered in New York, is a highly regarded company revered for its film library, and its management and repurposing of content. Criterion gathers, restores and distributes some of the greatest films from around the world and distributes them in the highest technical quality.
Since its installation, the Phoenix has been used on Ken Loach’s “Kes,” named one of the top 10 best British films of the century by the British Film Institute (BFI); Stanley Kubrick’s “The Killing;” and Satyajit Ray’s “The Music Room.”
Lee Kline, Technical Director of The Criterion Collection, says, “’Kes’ was a particularly challenging project with really tough vertical scratches in the original camera negative. We didn’t have any other tools tackle this as well as Phoenix, so we were excited to see the results. It was almost magical.”
Criterion has an in-house unit that completes post production on the titles it distributes. Phoenix is an integral part of an end-to-end restoration pipeline at the film distribution company and was put in place to increase efficiency and improve quality in their mastering and restoration efforts.
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Phoenix Finish Puts Powerful Restoration Tools in Criterion’s Corner
Kline explains that Phoenix was primarily used for initial scratch removal, light dirt, and some grain reduction with DVO Clarity. The DVO Clarity feature automatically addresses noise and grain reduction through algorithms, grain characteristics analysis, a motion estimation engine, and an innovative spatio-temporal filter.
Kline also notes, “As we began to test the Phoenix, I don’t think we realized initially how powerful it could be. After applying its toolset to a few challenging projects, we saw how the Phoenix works in ways that others don’t. It offers us a critical piece of our workflow puzzle to create the best possible masters for distribution.”
According to Kline, The Criterion Collection is continuing its move towards file-based workflows. For a number of years, they had extremely positive feedback from their technical team that was using the Digital Vision DVNR, a comprehensive, flexible, hardware-based system for telecine and tape-to-tape image processing. Criterion’s movement to a 4K pipeline put increased demand in place for the highest quality tools.
“There was no other system that came close to the first pass that Phoenix does,” Kline adds. “Every time we start work on a film, we track down the best available film elements in the world, use state-of-the-art equipment, and only a select few colorists are capable of meeting our rigorous standards. It says a lot!”
Phoenix Finish is a complete restoration, re-mastering and repackaging solution focused on creating the highest quality deliverables from film or tape-based materials. Ideal for DI, restoration and archive workflows, Phoenix Finish combines the best in automated, semi-automated and manual restoration tools, with strong editorial and mastering features providing ingest, conform, editing, color grading and a comprehensive set of delivery formats.
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Phoenix Finish Puts Powerful Restoration Tools in Criterion’s Corner
Martin Bennett, Head of Media BU, Image Systems, says, “We are delighted to announce this sale to The Criterion Collection who are major players in the restoration field and have been dedicated to gathering the greatest films from around the world and publishing them at the highest technical quality. By using Phoenix Finish – with the inclusion of the awarding-winning DVO image processing software tools – facilities such as Criterion never have to compromise on image quality.”
About Image Systems
Image Systems AB and Digital Vision AB have merged to create a single new company under the Image Systems brand, specializing in high-resolution image processing, film scanning and motion analysis solutions. Headquartered in Stockholm, Sweden, Image Systems has offices in Linköping, London, Los Angeles and Hong Kong. Image Systems’ customer-focused solutions are managed via three business units: Media, Defense and Motion, via a global network of qualified distributors. The company’s Nucoda and Phoenix image grading and restoration software solutions and Golden Eye range of scanners provide innovative tools to create and master media in HD, 2K/4K and stereoscopic 3D. The TEMA software platform provides a range of user friendly, high-speed motion analysis solutions for the automotive industry and other industrial test and design applications. The TrackEye software and Golden Eye scanners provide image analysis solutions for the military reconnaissance and testing markets. For additional information, visit www.imagesystems.tv.
About The Criterion Collection
Since 1984, The Criterion Collection, a continuing series of important classic and contemporary films, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements. Over the years, as delivery technologies have changed, one thing has remained constant: Criterion’s commitment to publishing the defining moments of cinema for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Renoir, Godard, Kurosawa, Cocteau, Fellini, Bergman, Tarkovsky, Hitchcock, Fuller, Lean, Kubrick, Lang, Sturges, Dreyer, Eisenstein, Ozu, Sirk, Buñuel, Powell and Pressburger. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen, with the most pristine image and sound. Whenever possible, Criterion works with directors and cinematographers to ensure that the look of our releases does justice to their intentions. Supplements enable viewers to appreciate Criterion films in context, through audio commentaries by filmmakers and scholars, restored director’s cuts, deleted scenes, documentaries, shooting scripts, early shorts, and storyboards. To date, more than 150 filmmakers have made Criterion’s library of Director Approved DVDs, Blu-ray discs, and laserdiscs the most significant archive of contemporary filmmaking available to the home viewer.
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Phoenix Finish Puts Powerful Restoration Tools in Criterion’s Corner
Media Contact info:
Image Systems USA Marketing Contact: Image Systems EMEA Marketing Contact
Alexa Maza Ulrika Liiv
Email: alexa.maza@imagesystems.se Email: ulrika.liiv@imagesystems.se
Tel: +1 (818) 769-8111 Tel: +46 (0)8 546 182 00
Image Systems USA PR Contact: Image Systems EMEA & Asia PR Contact:
Christine Purse Kate Ford
Ignite Jump PR
Email: chris@ignite.bz Email: kate@jumppr.tv
Tel: +1 (818) 303 8088 Tel: +44 (0) 1932 240001
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